The addition of boogie-woogie piano to the band’s lineup highlights a connection with older forms of rock ‘n’ roll that otherwise wouldn’t be as immediately apparent, but the highlight is actually the stuff happening between songs, as the mics pick up comments from an audience clearly unprepared to receive Iggy’s message while Iggy baits them in turn. Predictably, it’s pretty unhinged, and though the sound is bootleg-quality at best, it’s certainly not unlistenable. ![]() Both the Legacy and Deluxe editions also feature Georgia Peaches, a live recording from Atlanta in 1973. There are two versions of this reissue coming out, though, with various configurations of additional material. So, there’s your 10 right there to begin with. Iggy’s old mix, by comparison, sounds a little too conventional for music this ferocious. ![]() Stripping down the music around them is an excellent case of less being more. It seems kind of tinny at first, but the real focus of the album lies in Iggy’s vocals and James Williamson’s stinging guitar leads. It pushes the vocals and guitar way out front, leaving the drums and bass just low enough to still be audible. The Bowie mix is better, as it happens, though it doesn’t necessarily seem like it should be. Originally much-criticized for being too trebly and thin, it gained some credibility after Iggy’s remix for a 1997 CD reissue attracted its own flak for being too shiny and digital. This new Cadillac reissue restores David Bowie’s original mix, which is apparently something of a big deal. It’s not fair that anyone gets to be as awesome as Iggy Pop. If it’s not the best, it’s only because the Stooges had already done it with Fun House. The album it’s from is Raw Power, and the 38 minutes of feral mania that follow constitute one of the finest, bloodiest Dionysian works of art ever made. ![]() “I’m a street-walkin’ cheetah with a hide full of napalm / I’m the runaway son of a nuclear A-bomb” is as undiluted and perfect a distillation of fuck-you rock ‘n’ roll attitude as anything Muddy Waters or Robert Johnson ever came up with. “Search and Destroy” is, of course, the all-time badass anthem.
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